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October Book Bag Highlights Taryn Simon’s Guggenheim Catalogue and Hans Arp’s Paper Sculptures

This October brings notable art publications, including Taryn Simon’s catalogue for her Guggenheim exhibition and a new book on Hans Arp’s paper works, offering fresh perspectives on both contemporary and modern art.

Taryn Simon’s exhibition at the Solomon R. Guggenheim Museum stands out as the first photography-based monographic show to be presented in the museum’s iconic rotunda. The exhibition, open until 14 March 2027, follows the life of an unnamed federal agent through 42 individual works. Simon’s approach closely integrates bookmaking with her exhibitions: texts written on the gallery walls become stories in the catalogue, and the artworks themselves are transformed into photographs within the publication.

A new book on Hans Arp, recognized as a pioneer of the Dada movement, focuses on his works on paper and paper collages. Arp is known for his playful biomorphic sculptural forms, and this publication provides a comprehensive look at how his paper works served as a medium for creativity and invention within his diverse artistic practice.

Also featured in the October Book Bag is "Birth of a Collection," published in Arabic, English, and French. This volume brings together contributions from 42 curators, historians, and scholars, highlighting significant Islamic art objects such as the Monumental Lion from around 1100–1200, described as one of the most important Islamic works from the Mediterranean region.

The selection includes a focus on Khaled Sabsabi’s presentation at the 2026 Venice Biennale. An essay by Islamic art historian Claire Dillon examines Sabsabi’s two installations for the Biennale, exploring how his work draws on Islamic artistic traditions and Sufi philosophy.

Together, these publications offer readers a diverse exploration of art history and contemporary practices, connecting visual culture with scholarly research and philosophical reflection.

Why it matters

The October Book Bag highlights significant contributions to art literature, featuring innovative exhibition catalogues and scholarly works that deepen understanding of both contemporary and historical art. For audiences in Hong Kong and beyond, these publications provide valuable insights into artistic processes, cultural heritage, and the evolving dialogue between art and philosophy.

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October Book Bag Highlights Taryn Simon’s Guggenheim Catalogue and Hans Arp’s Paper Sculptures — NEOARCA